Classical summaries (as reported in modern secondary sources) state that Amanozako originated when Susanoo's ferocious spirit (his ara-mitama) built up within him until he vomited her out. She is therefore presented as born from a divine ferocity rather than through conventional procreation, and occupies the heavenly sphere alongside the 'eight million gods' (yaoyorozu no kami) in those accounts.
Summaries of classical descriptions depict Amanozako as having a beastly head with a very long nose, long ears, and great fangs reportedly strong enough to chew metal blades ragged; she is described in the Wakan Sansai Zue account as capable of flying for a thousand li. Later modern portrayals and illustrations (e.g., Toriyama Sekien's Konjaku Gazu Zoku Hyakki) render her with feminine/humanoid aspects combined with traits associated with tengu and oni in popular imagery.
Sources characterize Amanozako chiefly by a furious, short-fused temperament and by oppositional behavior — described in glosses as 'she who opposes everything in Heaven' — and attribute to her a tendency to possess or influence human hearts, manipulating emotions or personalities. Classical summaries emphasize her ferocity and physical attributes (strong fangs, prodigious flight range as given in Wakan Sansai Zue). Later summaries present her genealogical role as ancestor to various ill-tempered yōkai (including tengu and amanojaku in some accounts).
Tengu
Proud, warrior-like mountain spirits of Japan, associated with martial arts, pride, and the wild mountains. Neither fully good nor evil — they test and train warriors and monks, but punish the arrogant.
Amanojaku
Amanojaku (天邪鬼 / あまのじゃく) is a Japanese yōkai-type being portrayed as a contrarian, heart-reading trickster. Treated in different contexts as a small ogre (ko-oni), a wicked demon (jaki) in Buddhist iconography, and a folkloric spirit that provokes human vice, it appears across regional tales with variable roles from malicious kidnapper to household oddity.
5 Ronin
5 Ronin is a 2011 Marvel Comics five-issue limited series that reimagines five Marvel superhero archetypes as rōnin (masterless samurai) in a fictionalized post‑Sekigahara feudal Japan. The work places Wolverine, Hulk, Punisher, Psylocke, and Deadpool analogues into period roles to explore displacement, revenge, and identity in an era of political upheaval.
Abumi-guchi
A Japanese yōkai classed as a tsukumogami: an animated stirrup (abumi) depicted in Sekien Toriyama's Gazu Hyakki Tsurezure Bukuro. Traditional accounts say it is formed from a stirrup that belonged to a soldier who fell in battle and that it waits where the stirrup lies for its dead owner to return.
Abura-akago
An Edo-period yōkai depicted as an oil‑licking infant or a ball of flame. First recorded in illustrated compendia (notably Toriyama Sekien's Konjaku Gazu Zoku Hyakki), the Abura-akago is tied to tales of oil‑stealing fires and functions in part as an etiological warning about wasting or stealing oil.
Abura-sumashi
A yōkai spirit from the Amakusa region of Kumamoto Prefecture, Japan, said to inhabit mountain passes. Traditionally explained as the ghost of a person who stole oil, it appears to surprise travelers and is represented in modern media with a straw-coat body and a potato- or stone-like head.
Aburabō / Abura-bōzu / Aosaginohi (traditions)
Two distinct Japanese traditions appear under related flame imagery: Aosaginohi/Aosagibi is presented as a will-o'-the-wisp type luminous night phenomenon interpreted as reflections from herons; aburabōzu (abura bōzu, "oil monk") appears in a separate anecdote as a reported fire-breathing apparition in a 12th-century Yasaka Shrine tale. The sources treat them as separate portrayals rather than a single unified being.
Acala
Acala (Sanskrit: अचल, 'The Immovable') is a wrathful protective deity (dharmapala) in Vajrayāna and East Asian esoteric Buddhism, classed among the Wisdom Kings (Vidyārāja). He functions as a ritual focus for visualization and mantra practice intended to remove obstacles and bind or destroy hostile forces.
Agaru
Agaru (attested historically as Agarum) appears in the supplied sources as a Bronze Age Near Eastern toponym—often identified with Failaka Island—and as a modern personal or media name. The provided material contains no evidence that Agaru is a supernatural being in any traditional cosmology.
Ajisukitakahikone
Ajisukitakahikone is a kami in Japanese mythic literature (Kojiki/Nihon Shoki). He appears in the transfer-of-rule cycle between heaven and earth, is described as a son of Ōkuninushi, associated with the Kamo cult (called Kamo no ōmikami in some modern museum/catalog entries), and features in narratives that explain landscape formation and meteorological genealogy.
Aka Manto
Aka Manto (赤マント, "Red Cloak") is a Japanese urban legend and schoolyard ghost-story about a masked, cloaked figure who appears in public or school toilet stalls and forces occupants to choose between colored toilet paper; each choice in the tale produces a violent supernatural consequence. The legend is part of modern popular folklore recorded in school contexts from the 1930s onward rather than a formal religious myth.
Akaname
Akaname is a Japanese yōkai associated with baths, bathtubs, toilets, and other places where scum and filth accumulate. Traditionally depicted as a child-like creature that licks grime, it functions in folklore as a cautionary figure tied to cleanliness; a few narrative variants cast it as dangerously predatory.
Akashaguma
Akashaguma is presented in the available sources as a child-like house guardian spirit in the Japanese yokai tradition, closely comparable to the regional zashiki-warashi. It is associated with domestic interiors (parlors or storage rooms) and with bringing prosperity to households where it dwells.
Akashita
Akashita (赤舌, lit. “red tongue”) is an Edo-period pictorial yōkai commonly represented as a hairy, clawed face emerging from dark clouds with a wide open mouth and a conspicuous red tongue. The figure appears in yōkai emaki and Toriyama Sekien’s Gazu Hyakki Yagyō; Sekien’s plate shows it atop a sluice, but the original pictorial tradition provides no explanatory caption. Later folklorists and popular writers (Shōwa and later) have variously interpreted the image as a punitive spirit linked to irrigation/floodgate justice or as a kidnapper in evening skies, though these narrative roles are post-hoc.
Community Record
- [1]Amanozako - Wikipedia. Wikipedia, 'Amanozako' (summary of classical sources including Kujiki and Wakan Sansai Zue)wiki
- [2]Konjaku Gazu Zoku Hyakki (Toriyama Sekien). Reference to Toriyama Sekien's illustrated yōkai collection Konjaku Gazu Zoku Hyakki (Sekien illustration of Amanozako referenced in modern summaries)literary
- [3]Amanozako | Villains Wiki. Villains Wiki summary of Amanozako (modern secondary source summarizing temperament, name gloss, and reception)other
- [4]Amanozako | Megami Tensei Wiki. Megami Tensei Wiki (modern media adaptation and summary noting origin, temperament, and genealogical associations)other