Amatsuhikone is presented in the sources as a heavenly-born child of Amaterasu. He is described as the third son of Amaterasu and is variously said to have been born from the jewel(s) in Amaterasu's hair or from the vine used to bind Amaterasu's hair. In traditional chronology recorded in the sources, he later descended onto 432‑meter Mount Mikami during the reign of Emperor Kōrei (traditionally dated 290–215 BC) to become the mountain's shintai; this descent is presented as part of the legendary chronology tying divine genealogies to particular places and clans.
The cited sources do not supply a physical description or detailed iconography for Amatsuhikone. He is chiefly attested genealogically as a child of Amaterasu and functionally as a local kami when enshrined; his identity in the sources is maintained through lineage and place (Mount Mikami) rather than vivid visual detail. The available material records the existence of Mikami Shrine built to worship him but does not describe any standardized portrait, statue, costume, or other consistent visual attributes for the deity.
The provided sources do not attribute specific supernatural feats, magical powers, or routine behaviors to Amatsuhikone beyond his roles in mythic genealogy and as an enshrined mountain kami. He is presented as a divine offspring (the third son of Amaterasu), an ancestral progenitor for certain clans, and as the shintai of Mount Mikami—roles that convey religious and social significance rather than enumerated powers or acts in narrative episodes.
5 Ronin
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Abumi-guchi
A Japanese yōkai classed as a tsukumogami: an animated stirrup (abumi) depicted in Sekien Toriyama's Gazu Hyakki Tsurezure Bukuro. Traditional accounts say it is formed from a stirrup that belonged to a soldier who fell in battle and that it waits where the stirrup lies for its dead owner to return.
Abura-akago
An Edo-period yōkai depicted as an oil‑licking infant or a ball of flame. First recorded in illustrated compendia (notably Toriyama Sekien's Konjaku Gazu Zoku Hyakki), the Abura-akago is tied to tales of oil‑stealing fires and functions in part as an etiological warning about wasting or stealing oil.
Abura-sumashi
A yōkai spirit from the Amakusa region of Kumamoto Prefecture, Japan, said to inhabit mountain passes. Traditionally explained as the ghost of a person who stole oil, it appears to surprise travelers and is represented in modern media with a straw-coat body and a potato- or stone-like head.
Aburabō / Abura-bōzu / Aosaginohi (traditions)
Two distinct Japanese traditions appear under related flame imagery: Aosaginohi/Aosagibi is presented as a will-o'-the-wisp type luminous night phenomenon interpreted as reflections from herons; aburabōzu (abura bōzu, "oil monk") appears in a separate anecdote as a reported fire-breathing apparition in a 12th-century Yasaka Shrine tale. The sources treat them as separate portrayals rather than a single unified being.
Acala
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Agaru
Agaru (attested historically as Agarum) appears in the supplied sources as a Bronze Age Near Eastern toponym—often identified with Failaka Island—and as a modern personal or media name. The provided material contains no evidence that Agaru is a supernatural being in any traditional cosmology.
Ajisukitakahikone
Ajisukitakahikone is a kami in Japanese mythic literature (Kojiki/Nihon Shoki). He appears in the transfer-of-rule cycle between heaven and earth, is described as a son of Ōkuninushi, associated with the Kamo cult (called Kamo no ōmikami in some modern museum/catalog entries), and features in narratives that explain landscape formation and meteorological genealogy.
Aka Manto
Aka Manto (赤マント, "Red Cloak") is a Japanese urban legend and schoolyard ghost-story about a masked, cloaked figure who appears in public or school toilet stalls and forces occupants to choose between colored toilet paper; each choice in the tale produces a violent supernatural consequence. The legend is part of modern popular folklore recorded in school contexts from the 1930s onward rather than a formal religious myth.
Akaname
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Akashaguma
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Akashita
Akashita (赤舌, lit. “red tongue”) is an Edo-period pictorial yōkai commonly represented as a hairy, clawed face emerging from dark clouds with a wide open mouth and a conspicuous red tongue. The figure appears in yōkai emaki and Toriyama Sekien’s Gazu Hyakki Yagyō; Sekien’s plate shows it atop a sluice, but the original pictorial tradition provides no explanatory caption. Later folklorists and popular writers (Shōwa and later) have variously interpreted the image as a punitive spirit linked to irrigation/floodgate justice or as a kidnapper in evening skies, though these narrative roles are post-hoc.
Community Record
- [1]Amatsuhikone. Wikipedia, 'Amatsuhikone' entry.wiki
- [2]Wikidata: Amatsuhikone (Q10940228). Wikidata item for Amatsuhikone (Q10940228).wiki