According to the Kojiki and noted variants in the Nihon Shoki and other classical compilations, at the beginning of heaven and earth a deity named Ame-no-Minakanushi came into existence in Takamanohara (High Heaven). He is listed among the earliest solitary deities (hitorigami) and in some textual traditions is reckoned the first of the 'three deities of creation' (zōka sanshin). Textual traditions vary (for example some Nihon Shoki lists foreground Kuni-no-Tokotachi), and later commentators and sectarian movements reinterpreted or identified him with other primordial gods, but the core canonical role in the sources is as a named cosmic originating center.
Classical texts describe Ame-no-Minakanushi as one of the first deities who 'came into existence' and note that the first solitary deities 'hid their bodies' or were not visibly formed. The sources provide no concrete anthropomorphic description, iconography, or shrine-based imagery; he is presented as an imperceptible or hidden primordial presence rather than a visually depicted figure. The Engishiki and related early shrine records do not list extant ancient shrines to him.
In the primary sources Ame-no-Minakanushi's role is ontological: he is named as originating at the cosmic beginning. The texts record no narratives of deeds, interventions, or active mythic episodes attributed to him. Later scholarship interprets his function variously as an abstract central principle, a stabilizing 'hollow center' in triadic schemes, or a conceptual sky-center parallel to other high-god figures; these are interpretive readings rather than evidences of narrated powers in the classical texts.
5 Ronin
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Abumi-guchi
A Japanese yōkai classed as a tsukumogami: an animated stirrup (abumi) depicted in Sekien Toriyama's Gazu Hyakki Tsurezure Bukuro. Traditional accounts say it is formed from a stirrup that belonged to a soldier who fell in battle and that it waits where the stirrup lies for its dead owner to return.
Abura-akago
An Edo-period yōkai depicted as an oil‑licking infant or a ball of flame. First recorded in illustrated compendia (notably Toriyama Sekien's Konjaku Gazu Zoku Hyakki), the Abura-akago is tied to tales of oil‑stealing fires and functions in part as an etiological warning about wasting or stealing oil.
Abura-sumashi
A yōkai spirit from the Amakusa region of Kumamoto Prefecture, Japan, said to inhabit mountain passes. Traditionally explained as the ghost of a person who stole oil, it appears to surprise travelers and is represented in modern media with a straw-coat body and a potato- or stone-like head.
Aburabō / Abura-bōzu / Aosaginohi (traditions)
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Acala
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Agaru
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Ajisukitakahikone
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Aka Manto
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Akaname
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Akashaguma
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Akashita
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- [1]Ame-no-Minakanushi. Wikipedia article 'Ame-no-Minakanushi'wiki
- [2]Ame-no-Minakanushi (Wikidata). Wikidata entry Q2842779other
- [3]國學院大學デジタルミュージアム — Amenominakanushi. Kokugakuin University Digital Museum entry for Amenominakanushiacademic
- [4]Amenominakanushi no Kami in Late Tokugawa Period Kokugaku. Article on Amenominakanushi in Late Tokugawa period kokugaku (Kokugakuin materials)academic
- [5]AMENOMINAKANUSHI - the Japanese God of Creation. Godchecker summary entryother