Sources record Azumi-no-isora as the ancestor of the Azumi people and place him in a late legend connected to the loan of the tide jewels to Empress Jingū. In those accounts he is described as a (lesser) sea deity hired as navigator to bring the emissary Takenouchi no Sukune to the Dragon King (Ryūjin); this episode is attested in foundation-myth documents associated with the Hachiman cult.
The cited sources do not record any physical description or iconography for Azumi-no-isora.
The sources attest that Azumi-no-isora functions as a local seashore kami and ancestral figure of the Azumi people. In the late legend regarding the tide jewels he is described as a (lesser) sea deity employed as a navigator to convey the human emissary Takenouchi no Sukune to Ryūjin. Beyond his role as ancestral tutelary kami and this navigator episode, the sources do not enumerate additional powers or behaviors.
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Abumi-guchi
A Japanese yōkai classed as a tsukumogami: an animated stirrup (abumi) depicted in Sekien Toriyama's Gazu Hyakki Tsurezure Bukuro. Traditional accounts say it is formed from a stirrup that belonged to a soldier who fell in battle and that it waits where the stirrup lies for its dead owner to return.
Abura-akago
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Abura-sumashi
A yōkai spirit from the Amakusa region of Kumamoto Prefecture, Japan, said to inhabit mountain passes. Traditionally explained as the ghost of a person who stole oil, it appears to surprise travelers and is represented in modern media with a straw-coat body and a potato- or stone-like head.
Aburabō / Abura-bōzu / Aosaginohi (traditions)
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Acala
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Agaru
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Ajisukitakahikone
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Aka Manto
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Akaname
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Akashaguma
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Akashita
Akashita (赤舌, lit. “red tongue”) is an Edo-period pictorial yōkai commonly represented as a hairy, clawed face emerging from dark clouds with a wide open mouth and a conspicuous red tongue. The figure appears in yōkai emaki and Toriyama Sekien’s Gazu Hyakki Yagyō; Sekien’s plate shows it atop a sluice, but the original pictorial tradition provides no explanatory caption. Later folklorists and popular writers (Shōwa and later) have variously interpreted the image as a punitive spirit linked to irrigation/floodgate justice or as a kidnapper in evening skies, though these narrative roles are post-hoc.
Community Record
- [1]Azumi-no-isora — Wikipedia. Wikipedia, 'Azumi-no-isora'wiki
- [2]Wikidata: Azumi-no-isora. Wikidata entry Q1755974other
