The supplied sources do not record a discrete mythic origin for 'Fushimi Tokiwa' as a supernatural being. Rather, the name arises from identification of the historical/legendary woman Tokiwa Gozen (常盤御前) with snow-related epithets (listed as aka Fushimi no Yuki / Yuki no Tokiwa). This conflation appears in literary and visual culture: an otogi-zōshi titled Yuki-onna Monogatari situates snow-woman narratives in late medieval/early Edo textual circulation, and an ukiyo-e print (no. 51 from The Sixty-nine Stations of the Kisokaidō) explicitly titles an image 'Fushimi: Tokiwa Gozen Protecting Her Children from the Snow,' linking the personal name, place (Fushimi), and snow motif. The sources therefore present 'Fushimi Tokiwa' as a cultural overlap of biographical legend and seasonal/elemental imagery rather than as a clearly attested origin myth for an autonomous spirit.
Direct descriptions specific to 'Fushimi Tokiwa' are not provided in the excerpts. Visual evidence cited is the ukiyo-e print titled 'Fushimi: Tokiwa Gozen Protecting Her Children from the Snow' (The Sixty-nine Stations of the Kisokaidō, no. 51), which depicts a mother (Tokiwa Gozen) shielding her children amid snow — a human, maternal portrayal rather than an explicitly otherworldly form. The broader yuki-onna tradition (cited generically) is invoked in sources as a snow-associated folkloric figure, but the supplied material does not record the classic yuki-onna physical traits for this named instance, so 'Fushimi Tokiwa' should be understood in the cited material as represented in both human (motherly) imagery and as linked by name to the snow-woman motif.
No specific supernatural powers or behaviors are attested for 'Fushimi Tokiwa' in the supplied sources. The primary behavioral attribution in the materials is protective maternal action — the ukiyo-e title emphasizes Tokiwa Gozen 'protecting her children from the snow.' While the wider yuki-onna tradition (referenced in one source) is a folkloric snow-woman type, the excerpts do not provide particulars (such as freezing, seduction, or death-causing abilities) for this named figure, and therefore no powers beyond culturally resonant maternal protection are recorded in the cited material.
5 Ronin
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Abumi-guchi
A Japanese yōkai classed as a tsukumogami: an animated stirrup (abumi) depicted in Sekien Toriyama's Gazu Hyakki Tsurezure Bukuro. Traditional accounts say it is formed from a stirrup that belonged to a soldier who fell in battle and that it waits where the stirrup lies for its dead owner to return.
Abura-akago
An Edo-period yōkai depicted as an oil‑licking infant or a ball of flame. First recorded in illustrated compendia (notably Toriyama Sekien's Konjaku Gazu Zoku Hyakki), the Abura-akago is tied to tales of oil‑stealing fires and functions in part as an etiological warning about wasting or stealing oil.
Abura-sumashi
A yōkai spirit from the Amakusa region of Kumamoto Prefecture, Japan, said to inhabit mountain passes. Traditionally explained as the ghost of a person who stole oil, it appears to surprise travelers and is represented in modern media with a straw-coat body and a potato- or stone-like head.
Aburabō / Abura-bōzu / Aosaginohi (traditions)
Two distinct Japanese traditions appear under related flame imagery: Aosaginohi/Aosagibi is presented as a will-o'-the-wisp type luminous night phenomenon interpreted as reflections from herons; aburabōzu (abura bōzu, "oil monk") appears in a separate anecdote as a reported fire-breathing apparition in a 12th-century Yasaka Shrine tale. The sources treat them as separate portrayals rather than a single unified being.
Acala
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Agaru
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Ajisukitakahikone
Ajisukitakahikone is a kami in Japanese mythic literature (Kojiki/Nihon Shoki). He appears in the transfer-of-rule cycle between heaven and earth, is described as a son of Ōkuninushi, associated with the Kamo cult (called Kamo no ōmikami in some modern museum/catalog entries), and features in narratives that explain landscape formation and meteorological genealogy.
Aka Manto
Aka Manto (赤マント, "Red Cloak") is a Japanese urban legend and schoolyard ghost-story about a masked, cloaked figure who appears in public or school toilet stalls and forces occupants to choose between colored toilet paper; each choice in the tale produces a violent supernatural consequence. The legend is part of modern popular folklore recorded in school contexts from the 1930s onward rather than a formal religious myth.
Akaname
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Akashaguma
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Akashita
Akashita (赤舌, lit. “red tongue”) is an Edo-period pictorial yōkai commonly represented as a hairy, clawed face emerging from dark clouds with a wide open mouth and a conspicuous red tongue. The figure appears in yōkai emaki and Toriyama Sekien’s Gazu Hyakki Yagyō; Sekien’s plate shows it atop a sluice, but the original pictorial tradition provides no explanatory caption. Later folklorists and popular writers (Shōwa and later) have variously interpreted the image as a punitive spirit linked to irrigation/floodgate justice or as a kidnapper in evening skies, though these narrative roles are post-hoc.
Community Record
- [1]Yuki-onna. "Yuki-onna is a yūrei or yōkai in Japanese folklore that is often depicted in Japanese literature, films, or animation."wiki
- [2]Yuki-onna Monogatari (otogi-zōshi). "Yuki-onna Monogatari (雪女物語) is a Japanese otogi-zōshi in two books (one volume), likely composed in the Azuchi-Momoyama period or the beginning of the Edo period."wiki
- [3]Tokiwa Gozen variants listing. "aka ON'AI HITOME NO SEKIMORI (恩愛睛関守) aka FUSHIMI NO YUKI (伏見の雪) aka YUKI NO TOKIWA (雪の常盤)"other
- [4]Fushimi: Tokiwa Gozen Protecting Her Children from the Snow (no. 51 from The Sixty-nine Stations of the Kisokaidō). Print title as catalogued: "Fushimi: Tokiwa Gozen Protecting Her Children from the Snow, no. 51 from the series The Sixty-nine Stations of the Kisokaidō"other
- [5]Kōwakamai. Kōwakamai is a 15th-century recitative dance genre, popular in late 16th–early 17th centuries (provided as cultural context for performance traditions contemporaneous with some yuki-onna texts).wiki