The most accepted origin in the provided sources places the modern legend in Gifu Prefecture, Japan, emerging in 1978 and spreading nationally in 1979 via newspapers and magazines. In modern accounts she is variously framed as the onryō (vengeful spirit) of a wronged woman and as a yōkai incorporated into contemporary catalogs of uncanny beings. Some commentators trace similar motifs to earlier (Edo-period) tales, but that suggestion is presented as interpretive rather than definitively documented in the supplied materials.
Typically described as a pale, long straight black–haired woman who hides a mouth slit from ear to ear and often covers her face with a surgical mask, handkerchief, or folding fan until revealing the mutilation. Many accounts present her as otherwise attractive and notably tall — commonly cited around 175–180 cm (5'7"–5'9"), though some tellings report much greater heights (claims up to ~244 cm appear in variants). She is frequently depicted holding a sharp implement (scissors, knife, machete, scythe or similar). Some versions add numerous sharp teeth within the slit mouth.
Her defining folkloric action is to approach potential victims and ask an appearance-related question (commonly rendered as "Watashi, kirei?" — "Am I beautiful?"). If the respondent answers "no" in many versions she kills them on the spot; if they answer "yes," she reveals her mutilated mouth and repeats the question — subsequent answers can lead either to immediate killing, nocturnal murder later that night (in some variants), or to having the respondent's mouth cut to resemble hers. Some accounts describe her possessing supernatural speed. Different tellings disagree about exact outcomes for particular responses, and survival often depends on ad-hoc conversational tricks or distractions.
Weaknesses
- conditionwalking in groups / adult accompaniment
- otherrespond with a noncommittal answer such as 'average' to buy time
- mantrasay 'pomade' three times (folkloric trick)
- substancedistract with hard candies (especially bekko ame) or money
- conditionclaim to be running late and bow/apologize (reported to cause her to move on)
Wards
- conditionwalking in groups / adult accompaniment
- otheranswering 'average' (noncommittal response) to her beauty question
- mantrasaying 'pomade' three times
- substancethrowing bekko ame or hard candies / offering money as a distraction
- otherclaiming to be late and bowing/apologizing

Yuki-onna
The Snow Woman of Japanese folklore — a spirit born of blizzards who appears to travelers lost in snowstorms. Beautiful and lethal, she can show mercy or bring death depending on her mood.

Onryō
Onryō are vengeful spirits in Japanese folklore who return after death to redress wrongs suffered in life by harming the living; they are commonly portrayed in literature and film as wronged individuals—frequently women—whose resentment manifests as lethal retribution, and in some accounts as causing wider calamities.
5 Ronin
5 Ronin is a 2011 Marvel Comics five-issue limited series that reimagines five Marvel superhero archetypes as rōnin (masterless samurai) in a fictionalized post‑Sekigahara feudal Japan. The work places Wolverine, Hulk, Punisher, Psylocke, and Deadpool analogues into period roles to explore displacement, revenge, and identity in an era of political upheaval.
Abumi-guchi
A Japanese yōkai classed as a tsukumogami: an animated stirrup (abumi) depicted in Sekien Toriyama's Gazu Hyakki Tsurezure Bukuro. Traditional accounts say it is formed from a stirrup that belonged to a soldier who fell in battle and that it waits where the stirrup lies for its dead owner to return.
Abura-akago
An Edo-period yōkai depicted as an oil‑licking infant or a ball of flame. First recorded in illustrated compendia (notably Toriyama Sekien's Konjaku Gazu Zoku Hyakki), the Abura-akago is tied to tales of oil‑stealing fires and functions in part as an etiological warning about wasting or stealing oil.
Abura-sumashi
A yōkai spirit from the Amakusa region of Kumamoto Prefecture, Japan, said to inhabit mountain passes. Traditionally explained as the ghost of a person who stole oil, it appears to surprise travelers and is represented in modern media with a straw-coat body and a potato- or stone-like head.
Aburabō / Abura-bōzu / Aosaginohi (traditions)
Two distinct Japanese traditions appear under related flame imagery: Aosaginohi/Aosagibi is presented as a will-o'-the-wisp type luminous night phenomenon interpreted as reflections from herons; aburabōzu (abura bōzu, "oil monk") appears in a separate anecdote as a reported fire-breathing apparition in a 12th-century Yasaka Shrine tale. The sources treat them as separate portrayals rather than a single unified being.
Acala
Acala (Sanskrit: अचल, 'The Immovable') is a wrathful protective deity (dharmapala) in Vajrayāna and East Asian esoteric Buddhism, classed among the Wisdom Kings (Vidyārāja). He functions as a ritual focus for visualization and mantra practice intended to remove obstacles and bind or destroy hostile forces.
Agaru
Agaru (attested historically as Agarum) appears in the supplied sources as a Bronze Age Near Eastern toponym—often identified with Failaka Island—and as a modern personal or media name. The provided material contains no evidence that Agaru is a supernatural being in any traditional cosmology.
Ajisukitakahikone
Ajisukitakahikone is a kami in Japanese mythic literature (Kojiki/Nihon Shoki). He appears in the transfer-of-rule cycle between heaven and earth, is described as a son of Ōkuninushi, associated with the Kamo cult (called Kamo no ōmikami in some modern museum/catalog entries), and features in narratives that explain landscape formation and meteorological genealogy.
Aka Manto
Aka Manto (赤マント, "Red Cloak") is a Japanese urban legend and schoolyard ghost-story about a masked, cloaked figure who appears in public or school toilet stalls and forces occupants to choose between colored toilet paper; each choice in the tale produces a violent supernatural consequence. The legend is part of modern popular folklore recorded in school contexts from the 1930s onward rather than a formal religious myth.
Akaname
Akaname is a Japanese yōkai associated with baths, bathtubs, toilets, and other places where scum and filth accumulate. Traditionally depicted as a child-like creature that licks grime, it functions in folklore as a cautionary figure tied to cleanliness; a few narrative variants cast it as dangerously predatory.
Akashaguma
Akashaguma is presented in the available sources as a child-like house guardian spirit in the Japanese yokai tradition, closely comparable to the regional zashiki-warashi. It is associated with domestic interiors (parlors or storage rooms) and with bringing prosperity to households where it dwells.
Akashita
Akashita (赤舌, lit. “red tongue”) is an Edo-period pictorial yōkai commonly represented as a hairy, clawed face emerging from dark clouds with a wide open mouth and a conspicuous red tongue. The figure appears in yōkai emaki and Toriyama Sekien’s Gazu Hyakki Yagyō; Sekien’s plate shows it atop a sluice, but the original pictorial tradition provides no explanatory caption. Later folklorists and popular writers (Shōwa and later) have variously interpreted the image as a punitive spirit linked to irrigation/floodgate justice or as a kidnapper in evening skies, though these narrative roles are post-hoc.
Community Record
- [1]Kuchisake-onna — Wikipedia. Wikipedia: Kuchisake-onnawiki
- [2]Kuchisake-onna — Wikidata. Wikidata entry Q482610other
- [3]#13 - Creep me out! Eine Reise ins schone Japan (archive). Archive.org: podcast episode listingother
- [4]Kaiki Toshi-Densetsu - Kuchisake-Onna (2008) (DVDrip) 怪奇都市伝説 口裂け女 (archive). Archive.org: film listingother
