Umi Zatō's attestation in the supplied materials is limited to its appearance as an item in illustrated yōkai catalogues. The primary source named is Toriyama Sekien's Gazu Hyakki Yagyō (the first volume of his 1776 e-hon tetralogy), and the figure also appears in Hyakki Yagyō emakimono such as the Matsui Library's Hyakki Yagyō Emaki. The sources supplied do not record any independent origin myth, narrative tradition, or oral lore for Umi Zatō beyond these pictorial inclusions; thus there is no known folkloric origin story or mythic genealogy provided in the available material (Gazu Hyakki Yagyō; Hyakki Yagyō Emaki references).
The supplied sources identify Umi Zatō by its appearance in Sekien's Gazu Hyakki Yagyō and in Hyakki Yagyō emakimono (e.g., the Matsui Library emaki) but do not supply a textual descriptive account of its physical features. Visual information about Umi Zatō is therefore limited to the imagery in those plates: it is known from the illustration as an individuated yōkai entry in Sekien's visual lexicon. The provided materials do not include plate numbers, transcriptions of Sekien's caption for this entity, nor an extended pictorial analysis, so no further authoritative physical details can be asserted from the supplied sources.
The sources consulted for this entry (notably Sekien's Gazu Hyakki Yagyō and the Hyakki Yagyō emakimono tradition) do not attribute specific powers, behaviors, or interactions with humans to Umi Zatō. While Sekien's compendia sometimes include invented or playful entries, the available documentation for Umi Zatō contains no recorded abilities or customary actions; its role in the sources is limited to pictorial inclusion without accompanying folkloric description.
5 Ronin
5 Ronin is a 2011 Marvel Comics five-issue limited series that reimagines five Marvel superhero archetypes as rōnin (masterless samurai) in a fictionalized post‑Sekigahara feudal Japan. The work places Wolverine, Hulk, Punisher, Psylocke, and Deadpool analogues into period roles to explore displacement, revenge, and identity in an era of political upheaval.
Abumi-guchi
A Japanese yōkai classed as a tsukumogami: an animated stirrup (abumi) depicted in Sekien Toriyama's Gazu Hyakki Tsurezure Bukuro. Traditional accounts say it is formed from a stirrup that belonged to a soldier who fell in battle and that it waits where the stirrup lies for its dead owner to return.
Abura-akago
An Edo-period yōkai depicted as an oil‑licking infant or a ball of flame. First recorded in illustrated compendia (notably Toriyama Sekien's Konjaku Gazu Zoku Hyakki), the Abura-akago is tied to tales of oil‑stealing fires and functions in part as an etiological warning about wasting or stealing oil.
Abura-sumashi
A yōkai spirit from the Amakusa region of Kumamoto Prefecture, Japan, said to inhabit mountain passes. Traditionally explained as the ghost of a person who stole oil, it appears to surprise travelers and is represented in modern media with a straw-coat body and a potato- or stone-like head.
Aburabō / Abura-bōzu / Aosaginohi (traditions)
Two distinct Japanese traditions appear under related flame imagery: Aosaginohi/Aosagibi is presented as a will-o'-the-wisp type luminous night phenomenon interpreted as reflections from herons; aburabōzu (abura bōzu, "oil monk") appears in a separate anecdote as a reported fire-breathing apparition in a 12th-century Yasaka Shrine tale. The sources treat them as separate portrayals rather than a single unified being.
Acala
Acala (Sanskrit: अचल, 'The Immovable') is a wrathful protective deity (dharmapala) in Vajrayāna and East Asian esoteric Buddhism, classed among the Wisdom Kings (Vidyārāja). He functions as a ritual focus for visualization and mantra practice intended to remove obstacles and bind or destroy hostile forces.
Agaru
Agaru (attested historically as Agarum) appears in the supplied sources as a Bronze Age Near Eastern toponym—often identified with Failaka Island—and as a modern personal or media name. The provided material contains no evidence that Agaru is a supernatural being in any traditional cosmology.
Ajisukitakahikone
Ajisukitakahikone is a kami in Japanese mythic literature (Kojiki/Nihon Shoki). He appears in the transfer-of-rule cycle between heaven and earth, is described as a son of Ōkuninushi, associated with the Kamo cult (called Kamo no ōmikami in some modern museum/catalog entries), and features in narratives that explain landscape formation and meteorological genealogy.
Aka Manto
Aka Manto (赤マント, "Red Cloak") is a Japanese urban legend and schoolyard ghost-story about a masked, cloaked figure who appears in public or school toilet stalls and forces occupants to choose between colored toilet paper; each choice in the tale produces a violent supernatural consequence. The legend is part of modern popular folklore recorded in school contexts from the 1930s onward rather than a formal religious myth.
Akaname
Akaname is a Japanese yōkai associated with baths, bathtubs, toilets, and other places where scum and filth accumulate. Traditionally depicted as a child-like creature that licks grime, it functions in folklore as a cautionary figure tied to cleanliness; a few narrative variants cast it as dangerously predatory.
Akashaguma
Akashaguma is presented in the available sources as a child-like house guardian spirit in the Japanese yokai tradition, closely comparable to the regional zashiki-warashi. It is associated with domestic interiors (parlors or storage rooms) and with bringing prosperity to households where it dwells.
Akashita
Akashita (赤舌, lit. “red tongue”) is an Edo-period pictorial yōkai commonly represented as a hairy, clawed face emerging from dark clouds with a wide open mouth and a conspicuous red tongue. The figure appears in yōkai emaki and Toriyama Sekien’s Gazu Hyakki Yagyō; Sekien’s plate shows it atop a sluice, but the original pictorial tradition provides no explanatory caption. Later folklorists and popular writers (Shōwa and later) have variously interpreted the image as a punitive spirit linked to irrigation/floodgate justice or as a kidnapper in evening skies, though these narrative roles are post-hoc.
Community Record
- [1]Umi Zatō — Wikipedia. Wikipedia contributors. "Umi Zatō." Wikipedia, The Free Encyclopedia.wiki
- [2]Gazu Hyakki Yagyō — Wikipedia. Wikipedia contributors. "Gazu Hyakki Yagyō." Wikipedia, The Free Encyclopedia.wiki
- [3]Wikidata: Umi Zatō. Wikidata entry Q11558927 for Umi Zatō.other
- [4]Hyakki Yagyō Emaki (Matsui Library) — referenced in secondary sources. Reference to Umi Zatō's appearance in Hyakki Yagyō emakimono such as the Matsui Library's Hyakki Yagyō Emaki (as noted in cited secondary sources).other