In Puranic and later symbolic accounts the term Ananta denotes that which is without end and functions as an epithet of Vishnu and as the name of the cosmic serpent Shesha. In cosmological scenes Vishnu reclines on Ananta/Shesha on the waters of the cosmic ocean during the intervals of creation (after pralaya); from Vishnu's navel the lotus that bears the next creation emerges. The usage is both linguistic (an epithet of the god conveying infinity) and mythic (a personified serpent that persistently supports the deity across cycles).
Ananta is represented in the sources chiefly as the cosmic serpent Shesha: a vast serpent often described as encircling the world and depicted with numerous heads (classical descriptions refer to a serpent with a thousand heads functioning as Vishnu's couch and canopy). Beyond 'serpent,' 'many heads,' and cosmic scale (couch of Vishnu, circling the world), the supplied material gives no consistent details of color or size.
Descriptions in the sources present Ananta/Shesha in cosmological and symbolic roles rather than as an agent performing interpersonal acts. Ananta 'circles the world,' endures through pralaya, and serves as the couch and protective canopy for Vishnu while he rests between creations, thereby embodying the divine attribute of infinity. The term also operates as an epithet of Vishnu, signifying the god's endlessness.
*Péh₂usōn (reconstructed)
Péh₂usōn is a hypothetical Proto‑Indo‑European pastoral guardian reconstructed by comparative scholars from parallels in Greek and Vedic traditions. Proposed as a Graeco‑Aryan ancestor‑figure, the reconstruction describes a protector of flocks, roads, and travellers rather than an attested historical cultic personality.
Abhimanyu
Abhimanyu is a youthful Kuru/Pandava warrior-hero in the Sanskrit epic Mahābhārata. Son of Arjuna and Subhadra, he is famed for entering the Chakravyuha battle formation on the thirteenth day of the Kurukshetra War and dying at age sixteen; his posthumous son Parikshit continues the Kuru line.
Achyuta
Achyuta (Sanskrit: अच्युत, acyuta) is primarily an epithet/theonym in Vaishnava Hindu tradition applied to Vishnu and Krishna, signifying the divine quality of being 'not fallen' — immutable, infallible, and imperishable. It functions as a devotional name in scripture, liturgy, and Pancharatra lists of divine emanations rather than as an autonomous folkloric spirit.
Acintya
Acintya is an Indonesian Hindu theological-symbolic representation of the ineffable supreme divine principle. In Balinese and Javanese practice it functions as a way to make ultimate reality present in ritual and art—often aniconically as an empty throne (padmasana) or anthropomorphically as a naked, flame-surrounded figure—rather than as a narrative, intervening deity.
Adi (asura)
Adi is attested in modern reference works as the name of an Asura who 'appears in the Matsya Purāṇa.' Beyond this single-line citation in secondary sources, no descriptive material about the figure is provided in the supplied research notes.
Adi Shakti
Adi Shakti (also Adi Parashakti, Mahadevi, Adya Shakti) is the primordial feminine power in Hindu/Shakta theology, regarded as the ultimate reality (Para Brahman) and the source from which all goddesses and gods manifest. She is both an impersonal cosmic principle (Mulaprakriti) and a focus of devotional invocation in temples, mantras, and pilgrimage sites such as Shakti Peethas.
Adi Vinayaka
Adi Vinayaka (Ādi Vināyaka; also called Nara Mukha Vinayaka) is a named iconographic and devotional form of the Hindu god Ganesha portraying the deity with a human head, described in sources as the form before the episode of decapitation by Shiva. It is rarely worshipped and appears in a small number of South Indian shrines and in devotional/musical repertoires.
Aditi
Aditi is a major Vedic goddess in Hindu tradition who personifies the boundless, infinite cosmic principle and functions as the maternal matrix from which many celestial deities (the Ādityas and other groups) are born. In the Vedic hymns she is invoked as a protective liberator who guards petitioners, provides wealth and safety, and frees devotees from hindrances such as sin and sickness.
Agastya
Agastya (also Agathiyar/Agasti) is a revered Vedic and later-period Indian rishi (sage) figure credited in textual traditions as an inspired seer, ascetic, teacher, culture-founder, and attributed author of Vedic, Puranic and Tamil works; in South Indian tradition he is associated with origins of Tamil grammar and Siddha medicine and is identified astronomically with the star Canopus.
Aghasura
Aghasura is an asura from the Vaishnava/Hindu narrative tradition (notably the Srimad‑Bhāgavatam) who, at the command of Kamsa, assumed the form of a vast serpent to ambush Kṛṣṇa and the cowherd boys in Vṛndāvana. The episode demonstrates Kṛṣṇa’s protective, divine power as he enters and destroys the demon from within.
Agiya Baital
The fire-form of the Vetala — a cremation ground spirit of UP and Bihar that manifests as a wandering flame rather than a corpse-inhabitor, leading night travellers off roads and into marshland or flames with a dancing fire that seems always just ahead.
Agneya / Āgneyī
Āgneyī (feminine) or Āgneya (masculine adjective) is a Vedic–Puranic divine figure and ritual principle tied to the fire-god Agni and the southeastern direction. In textual traditions she appears both as a personified daughter/shakti of Agni and as an adjectival/technical term applied to fire-consecrated things (direction, astra, etc.). She also occurs as the name Agneya (or Anala) among items revealed in a Shaiva-Agamic list associated with the Aghora face of Sadashiva.
Community Record
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- [2]Ananta — Wikipedia (general Ananta page). Wikipedia, 'Ananta'wiki
- [3]Śesha — Myth & Folklore entry. Myth & Folklore, 'Śesha' entryother
- [4]Sri Aurobindo: Symbolism of Vishnu and the Ocean of Milk. Sri Aurobindo commentary, 'Symbolism of Vishnu and the Ocean of Milk'other
- [5]The Most Graphic Allegory Ever Made: The Universe Evolving From The POINT. Theosophical commentary on Vishnu allegoryother
- [6]Ananta (king) — Wikipedia (etymology note). Wikipedia, 'Ananta (king)' (discussion of term meaning 'that which is infinite')wiki
- [7]Collation of Theosophical Glossaries, Am-An; comp. S. Osterhage. Theosophical glossary, 'Ananta' and related symbolismother
- [8]Ananta Rajkhowa Favorites (archive). Archive entry referencing Ananta usages and namesother