Attested historical record places Conomor as an active mid-6th-century Breton political figure (fl. c. 540), described in Frankish sources (summarized from Gregory of Tours) as a count of the Bretons involved in Frankish–Breton conflicts and in Breton genealogies and later legends as a ruler who gained power by violent means (accused of murdering predecessors such as Jonas). In later Breton hagiographic and folk narratives Conomor is retrojected into martyr and saint cycles (notably the Tréphine and Trémeur legend), where he is cast as the persecuting husband and murderer whose crimes provoke ecclesiastical sanction (excommunication by bishops at Saint Samson's urging) and saintly intervention (miraculous restoration of Tréphine by Saint Gildas). The historical and legendary layers coexist in sources: the former presents a secular political actor, the latter converts elements of his reputed violence into moralized tale material.
Primary sources and summaries provide no contemporaneous physical or iconographic description. Medieval and later accounts refer to his social titles and epithets—count of the Bretons, Prince of Poher, king of Dumnonia, and in modern summaries sometimes styled 'Conomor the Cursed'—but do not preserve reliable physical detail.
Conomor's 'abilities' in the sources are political and martial rather than supernatural: he commands forces in Frankish–Breton conflicts, hides and shelters political allies or prisoners (Gregory of Tours reports he hid Macliau 'in a box underground'), can flee or be slain in battle, and exercises regnal authority as count/king. In hagiographic legend his behavior includes serial domestic murder (allegedly killing several wives and his son to avert a prophecy) and persecution of saintly figures; supernatural elements in these narratives (ghostly warnings, miraculous restoration) are attributed to saints and the dead rather than to Conomor himself.
Weaknesses
- conditionecclesiastical sanction (excommunication)
- otherloss of Frankish royal support / secular opposition
Wards
- conditionexcommunication and episcopal censure
- otherseeking secular asylum or royal protection (historical political remedy)
*Perkʷūnos
*Perkʷūnos is the reconstructed Proto-Indo-European thunder‑god hypothesized by comparative linguistics and mythology. Scholarly reconstructions portray him as a storm or thunder figure associated with fructifying rain and as the combatant who fights a multi‑headed water‑serpent to release life‑giving waters; no direct attestations from the Proto‑Indo‑European period survive and the figure is inferred from later Indo‑European traditions.
*Péh₂usōn (reconstructed)
Péh₂usōn is a hypothetical Proto‑Indo‑European pastoral guardian reconstructed by comparative scholars from parallels in Greek and Vedic traditions. Proposed as a Graeco‑Aryan ancestor‑figure, the reconstruction describes a protector of flocks, roads, and travellers rather than an attested historical cultic personality.
57 Mnemosyne
57 Mnemosyne is a large main-belt asteroid (S-type) discovered in 1859 and named after the Greek Titaness Mnemosyne. It is a non-sentient astronomical body studied for its orbital and rotational properties and has been used in dynamical measurements related to Jupiter.
Abaddon
In Hebrew scripture Abaddon is primarily a noun meaning 'destruction' or a section/condition of the underworld paired with Sheol; in the New Testament Book of Revelation Abaddon is personified as an angelic figure (Greek Apollyon) described as the king of an army of locusts released from the abyss during the apocalypse.
Aban Yasht
The Aban Yasht is a hymn from the Persian tradition that praises Anahita, a goddess associated with water, fertility, and wisdom. It consists of 132 stanzas and is part of the 21 Yashts collection. (Note: - Power tier should be "Primordial" or possibly "Cosmic", given that it's a hymn of great spiritual significance and associated with a goddess. - The article incorrectly states that Anahita is associa)
Abandinus
Abandinus is a locally attested Romano‑Celtic theonym known from a single inscribed bronze feather (votive object) dedicated at Godmanchester (the Roman fort Durovigutum) in Cambridgeshire. Scholars interpret him as a local god or male spirit tied to a specific place and possibly associated with a nearby spring or stream; this association is tentative and based on etymological readings of the name.
Abarta (Ábartach)
Abarta (also Ábartach) is a figure of Irish myth who, in surviving accounts, tricks Fionn mac Cumhaill's warriors by giving them a supernatural grey horse that bears them into the Otherworld. Sources variably identify him as a member of the Tuatha Dé Danann or as a Fomorian; after the incident he is compelled to release the captured warriors and is refused entry to the Fianna.
Abath
No corroborated folkloric entity named "Abath" is documented in the provided sources. The string appears in the supplied material only as a surname/personal name in Aruban/Dutch-Caribbean archival records and as an unrelated taxonomic or encyclopedic hit; no mythic attributes, origin stories, rituals, or apotropaic practices for an entity called Abath are present in the documents reviewed.
Abatur
Abatur is an uthra (celestial emanation) in Mandaeism described as the 'father of the Uthras' and called the Ancient (ʿattīqā). He resides on the boundary between the World of Light and lower regions, functions as a judge who weighs souls (Abatur Muzania), and supplies instructions and materials to the demiurgic uthra Ptahil in accounts from the Diwan (Scroll) of Abatur.
Abatwa (Twa / Batwa)
Abatwa (also recorded as Twa, Batwa, Mutwa; singular forms Barhwa or Murhwa in some transcriptions) are indigenous hunter‑gatherer peoples of the Great Lakes region of Central Africa, historically identified as some of the earliest inhabitants of the area. The available sources treat them as human ethnic groups whose livelihoods, lands, and populations have been severely affected by conservation policies and modern violence.
Abcán (Abhcán)
Abcán (modern spelling Abhcán) is a named dwarf poet and musician of the Tuatha Dé Danann in Irish myth. He appears in a small number of narratives as a musician whose art has soporific power and as the ferryman who brings the goddess Ruad from the Otherworld to the human world.
Abdiel
Abdiel (Hebrew עֲבְדִּיאֵל) is primarily a theophoric Hebrew personal name meaning "servant of El/servant of God," attested once in the Hebrew Bible (1 Chronicles 5:15). In later literature—most notably John Milton's Paradise Lost—Abdiel is reimagined as a faithful seraph who opposes Satan's revolt. The provided sources do not treat Abdiel as an autonomous folkloric spirit type or record rituals or wards associated with the name.
Community Record
- [1]Conomor. Wikipedia contributors, 'Conomor,' Wikipedia, The Free Encyclopedia.wiki
- [2]Wikidata: Conomorpha (homonym entry). Wikidata entry Q87148184 (not about the Breton ruler; homonymous taxon name recorded in notes).other
- [3]CIA reading-room archive item listing (contains references mentioning Conomor in scanned materials). Archive.org scan listing (contextual/archival reference in research notes).other
- [4]La Bretagne. L’indépendance?. Archive.org: La Bretagne. L’indépendance? (contextual/archival reference in research notes).other
- [5]VA - Jungle Jazz: The Italian Test (1999) (Opus ~128) [Only2]. Archive.org listing (homonymous modern usage referenced in research notes).other
