In Geoffrey of Monmouth’s History of the Kings of Britain (and in later medieval redactions such as Layamon’s Brut and various Middle English Bruts), Corineus appears as one of the principal companions of Brutus of Troy. Within that pseudo-historical founding narrative (set in a legendary post‑Trojan-migration antiquity), Corineus is allotted the southwest of the island after Brutus’s death and becomes the eponymous founder of Cornwall. Geoffrey likely adopted or adapted the name from classical usage (e.g., Virgil’s Corynaeus) and used the figure to provide an etiological explanation for Cornwall’s name; later medieval and antiquarian traditions (Holinshed, Richard Carew, local glosses) preserve variant localizations and embellishments of his chief exploit.
Surviving source texts emphasize Corineus’s martial stature and exceptional physical strength rather than a consistent iconographic portrait. Geoffrey and later retellers describe him as “modest in council, and of great courage and boldness” and dramatize him as a powerful wrestler and giant‑slayer: in the central episode he grapples with the chief giant (named Goemagog/Gogmagog in sources), sustains injuries (three ribs broken), then lifts, carries to a cliff, and throws the giant into the sea where rocks tear him to pieces. Medieval poems and popular retellings dramatize his large, heroic physique and prowess, but no uniform details of clothing or facial features are provided in the cited materials.
Accounts present Corineus as an extraordinary human warrior and leader. Geoffrey’s narrative attributes to him feats of mass slaughter in early combats in Gaul (phrased as having killed “heaps” of enemies or ‘thousands’ with an axe in the conflict with Goffarius Pictus), exceptional wrestling and lifting strength (the episode of carrying and hurling Goemagog from a cliff), and military and political leadership (ruling Cornwall, negotiating dynastic marriages such as that of his daughter Gwendolen). These are literary claims of heroic prowess found in Geoffrey and later chroniclers; they function as founding legendry rather than claims of supernatural powers.
Weaknesses
- conditionbattle injury (three ribs broken)
- otherno supernatural invulnerability attested
Wards
None recorded.
Abdiel
Abdiel (Hebrew עֲבְדִּיאֵל) is primarily a theophoric Hebrew personal name meaning "servant of El/servant of God," attested once in the Hebrew Bible (1 Chronicles 5:15). In later literature—most notably John Milton's Paradise Lost—Abdiel is reimagined as a faithful seraph who opposes Satan's revolt. The provided sources do not treat Abdiel as an autonomous folkloric spirit type or record rituals or wards associated with the name.
Abiel
Abiel is attested in the supplied sources only as a male given name — borne by several historical American individuals and listed as two minor biblical figures. The provided materials contain no evidence presenting Abiel as a supernatural, mythological, or folkloric entity.
Abigail
Abigail is a female figure in the Hebrew Bible portrayed in 1 Samuel 25 as the intelligent and beautiful wife of Nabal who intervenes to prevent David from committing violence; later tradition regards her as one of the Tanakh's seven female prophets and as a model of beauty and wisdom.
Accolon
Accolon is a mortal knight of the Arthurian court, presented in the Post-Vulgate Merlin tradition and Malory's Le Morte d'Arthur as Morgan le Fay's paramour and instrument in a plot to supplant King Arthur; his tale centers on enchanted weapons (Excalibur and its scabbard), love-manipulation, and a tragic duel with Arthur.
Adsullata
Adsullata is attested as a Continental Celtic river goddess associated with the River Savus (modern Sava) in the Roman province of Noricum. Later traditions record her presence in Brittany as a goddess of hot springs and present her as an antecedent or origin-form of the Anglo‑Celtic sun goddess Sul.
Afaon fab Taliesin
Afaon fab Taliesin is a medieval Welsh warrior-counsellor, named as a son of the bard Taliesin and recorded among Arthur’s retinue in Welsh tradition. He appears in the Welsh Triads and in the tale Breuddwyd Rhonabwy (The Dream of Rhonabwy) as a notable martial figure and proverb-speaker rather than as a supernatural being.
Aglovale
Aglovale (also Agloval, Aglovan, Aglovaus, Acglavael) is a human knight of Arthurian romance, presented as the eldest legitimate son of King Pellinore and a Knight of the Round Table in the Vulgate/Post‑Vulgate cycles, Malory, and later adaptations. He brings his long‑lost brother Perceval to Camelot, takes part in military actions (including slaying Agrippa in one account), and his death is related in varying ways across traditions (accidental at Gawain's hand, deliberate murder by Orkney kin, or killed during Lancelot's rescue of Guinevere).
Agravain
Agravain is a literary knight of Arthurian romance cycles: one of the sons of King Lot of Orkney, a member of the Round Table, and a recurring figure in French and English medieval prose and verse. He is portrayed as a skilled but morally problematic courtly knight whose jealousy, malice, and intra-familial violence drive key narrative conflicts (notably the slaying of Lamorak and the exposure of Guinevere).
Albanactus
Albanactus is a legendary eponymous founder-king in medieval pseudo-historical chronicles (not a supernatural being). In Geoffrey of Monmouth’s narrative he is the youngest son of Brutus who receives Alba/Albany as his share, rules briefly, and is killed by Humber, king of the Huns; the figure serves as a medieval reverse-etiology to explain the name of the land and to support later political claims.
Aldroen
Aldroen is a legendary early medieval king of the Bretons of Armorica appearing in Geoffrey of Monmouth and later medieval chroniclers. Presented as a dynastic and martial founder-figure (son of Salomon) in pseudo-historical accounts, he is credited in tradition with military action in 5th-century Brittany and involvement in British-Breton affairs rather than any supernatural role.
Alice (Alice's Adventures in Wonderland)
Alice is the fictional little girl protagonist of Lewis Carroll's 1865 novel Alice's Adventures in Wonderland. Portrayed as a curious child who follows a White Rabbit down a rabbit hole, she serves as the reader's point of entry into the dreamlike realm of Wonderland and is not described in the provided sources as a supernatural being.
Allison Gross
A witch-figure from a Scottish/English ballad (Child 35) who courts a man with gifts and, when rebuffed, transforms him into a wyrm bound to a tree; in some versions the Seelie Queen later restores him. Presented in ballad tradition as a powerful but contestable supernatural suitor and punishor.
Community Record
- [1]History of the Kings of Britain (Geoffrey of Monmouth) — summary. Geoffrey of Monmouth, Historia Regum Britanniae (summary and episodes as presented in the Wikipedia entry for Corineus).wiki
- [2]Wikidata: Corineus. Wikidata entry summarizing Corineus as a fighter of giants in medieval British legend.other
- [3]Layamon's Brut (Part I, From Brutus to Dunwale). Layamon, Brut (medieval Middle English redaction containing episodes related to Brutus and companions including Corineus).literary
- [4]Richard Carew, Survey of Cornwall (antiquarian note on turf figures). Carew’s account (as summarized in modern references) noting the earth-cut figures on Plymouth Hoe and their periodic renewal by town authorities; cited in discussions of the Gogmagog/Corineus tradition.folk
- [5]Gogmagog (giant) — summary and localizations. Article summarizing the giant opponent of Corineus and variant localizations of the wrestling episode (Totnes, Plymouth Hoe, Dover) in different traditions.wiki
- [6]Cornwall's Wonderland — 'How Corineus Fought the Chief of the Giants' (popular retelling). Popular retelling (Mabel Quiller Couch) recounting the wrestling episode and local Cornish versions of the tale.folk
- [7]ShipsProject: 'Corineus' (modern summary of legend). Modern retelling/summary of the Corineus legend and its associations with Cornwall.other
- [8]Holinshed — The Historie of England (Chronicles). Holinshed’s placement of the 'leape of Gogmagog' at Dover in his Chronicle; example of variant localization in early modern redaction.literary
