Medieval annalistic narratives (notably Bede, the Anglo‑Saxon Chronicle, and Nennius's Historia Brittonum as later summarized) describe Hengist and Horsa as continental Germanic war‑leaders invited by the British king Vortigern in the fifth century (chronicle date 449) to aid against Pictish incursions; after landing at Eopwinesfleot (Ebbsfleet) they fight in Britain and their presence precipitates further migrations and settlement. In some genealogical presentations their male line is traced back to Woden, situating them within royal genealogical frameworks; Nennius also records a genealogy framed polemically to depict pagan origins, portraying their ancestry as linked to idols. Modern scholarship represented in the provided sources regards these narratives as part of medieval origin‑mythmaking rather than demonstrable history.
Primary medieval sources focus on deeds, genealogies, and place‑names rather than physical description; Bede, the Anglo‑Saxon Chronicle, and Nennius provide no consistent contemporary portrait. Later literary and artistic receptions (poems such as 'The Calling of Hengist and Horsa' and 'The Death of Horsa', and post‑medieval imagery such as the 1605 Richard Rowlands plate) represent them as armed chieftains or martial founders, but these are reception images rather than contemporary eyewitness detail.
The sources attribute to Hengist and Horsa primarily human capacities: military leadership, the command of forces in battles named in the Anglo‑Saxon Chronicle (Aylesford, Crayford, Wippedesfleot), negotiation and land settlement (receipt of land such as the Isle of Thanet), and dynastic founder functions (Hengist as progenitor of Jutish kings in Kent). Variant traditions emphasize different political behaviors — invited mercenaries, settlers, or treacherous invaders — and Nennius's account emphasizes genealogy framed as religious polemic. The supplied material contains no attribution of supernatural powers.
Abdiel
Abdiel (Hebrew עֲבְדִּיאֵל) is primarily a theophoric Hebrew personal name meaning "servant of El/servant of God," attested once in the Hebrew Bible (1 Chronicles 5:15). In later literature—most notably John Milton's Paradise Lost—Abdiel is reimagined as a faithful seraph who opposes Satan's revolt. The provided sources do not treat Abdiel as an autonomous folkloric spirit type or record rituals or wards associated with the name.
Abiel
Abiel is attested in the supplied sources only as a male given name — borne by several historical American individuals and listed as two minor biblical figures. The provided materials contain no evidence presenting Abiel as a supernatural, mythological, or folkloric entity.
Abigail
Abigail is a female figure in the Hebrew Bible portrayed in 1 Samuel 25 as the intelligent and beautiful wife of Nabal who intervenes to prevent David from committing violence; later tradition regards her as one of the Tanakh's seven female prophets and as a model of beauty and wisdom.
Accolon
Accolon is a mortal knight of the Arthurian court, presented in the Post-Vulgate Merlin tradition and Malory's Le Morte d'Arthur as Morgan le Fay's paramour and instrument in a plot to supplant King Arthur; his tale centers on enchanted weapons (Excalibur and its scabbard), love-manipulation, and a tragic duel with Arthur.
Adsullata
Adsullata is attested as a Continental Celtic river goddess associated with the River Savus (modern Sava) in the Roman province of Noricum. Later traditions record her presence in Brittany as a goddess of hot springs and present her as an antecedent or origin-form of the Anglo‑Celtic sun goddess Sul.
Afaon fab Taliesin
Afaon fab Taliesin is a medieval Welsh warrior-counsellor, named as a son of the bard Taliesin and recorded among Arthur’s retinue in Welsh tradition. He appears in the Welsh Triads and in the tale Breuddwyd Rhonabwy (The Dream of Rhonabwy) as a notable martial figure and proverb-speaker rather than as a supernatural being.
Aglovale
Aglovale (also Agloval, Aglovan, Aglovaus, Acglavael) is a human knight of Arthurian romance, presented as the eldest legitimate son of King Pellinore and a Knight of the Round Table in the Vulgate/Post‑Vulgate cycles, Malory, and later adaptations. He brings his long‑lost brother Perceval to Camelot, takes part in military actions (including slaying Agrippa in one account), and his death is related in varying ways across traditions (accidental at Gawain's hand, deliberate murder by Orkney kin, or killed during Lancelot's rescue of Guinevere).
Agravain
Agravain is a literary knight of Arthurian romance cycles: one of the sons of King Lot of Orkney, a member of the Round Table, and a recurring figure in French and English medieval prose and verse. He is portrayed as a skilled but morally problematic courtly knight whose jealousy, malice, and intra-familial violence drive key narrative conflicts (notably the slaying of Lamorak and the exposure of Guinevere).
Albanactus
Albanactus is a legendary eponymous founder-king in medieval pseudo-historical chronicles (not a supernatural being). In Geoffrey of Monmouth’s narrative he is the youngest son of Brutus who receives Alba/Albany as his share, rules briefly, and is killed by Humber, king of the Huns; the figure serves as a medieval reverse-etiology to explain the name of the land and to support later political claims.
Aldroen
Aldroen is a legendary early medieval king of the Bretons of Armorica appearing in Geoffrey of Monmouth and later medieval chroniclers. Presented as a dynastic and martial founder-figure (son of Salomon) in pseudo-historical accounts, he is credited in tradition with military action in 5th-century Brittany and involvement in British-Breton affairs rather than any supernatural role.
Alice (Alice's Adventures in Wonderland)
Alice is the fictional little girl protagonist of Lewis Carroll's 1865 novel Alice's Adventures in Wonderland. Portrayed as a curious child who follows a White Rabbit down a rabbit hole, she serves as the reader's point of entry into the dreamlike realm of Wonderland and is not described in the provided sources as a supernatural being.
Allison Gross
A witch-figure from a Scottish/English ballad (Child 35) who courts a man with gifts and, when rebuffed, transforms him into a wyrm bound to a tree; in some versions the Seelie Queen later restores him. Presented in ballad tradition as a powerful but contestable supernatural suitor and punishor.
Community Record
- [1]Hengist and Horsa — Wikipedia. Wikipedia, 'Hengist and Horsa' (etymology, chronicle summaries, modern scholarly assessment)wiki
- [2]Wikidata — Hengist and Horsa. Wikidata entry Q6560105 summarising identifiers and linked resourcesother
- [3]Hengist and Horsa arriving in Britain — Richard Rowlands, 1605 (image). Archive.org — plate by Richard Rowlands (1605), later artistic depictionliterary
- [4]The Calling of Hengist and Horsa. 'The Calling of Hengist and Horsa' (poetic reception text)literary
- [5]The Death of Horsa. 'The Death of Horsa' (poetic reception text)literary
- [6]Layamon — Brut: Part IV (mentions and reception). Layamon, Brut (c.1190–1215) — medieval poetic reception of the founding narrativesliterary
- [7]Proceedings: On the Cat‑Stane, Kirkliston (discussion of local monument traditions). Proceedings of the Society of Antiquaries of Scotland — discussion of local tombstone traditions linked to Hengist/Horsa memoryacademic
- [8]Miscellaneous modern retellings and summaries. Modern popular history/blog summarising the Hengist and Horsa tradition (used in compiled notes)other
