In Chinese mythic accounts recorded and summarized in classical and popular sources, a group of ten sun-crows (sanzuwu, popularly Jinwu or Yangwu) perched on the Fusang mulberry in the East; each day one was rostered to traverse the sky in a sun-carriage driven by the suns' mother Xihe. In a famous legendary episode (placed in some chronologies around 2170 BC) all ten emerged at once and scorched the world, after which the archer Hou Yi shot down nine, leaving a single sun-crow. Variants and attendant motifs appear in Han-period iconography (e.g., Mawangdui silk painting) and earlier archaeological bird-sun imagery. In Japan the bird known as Yatagarasu appears in Shinto narratives as a heavenly messenger and guide (notably guiding the legendary Emperor Jimmu); scholarship notes that the explicit three-legged description appears in later interpretations and that the Kojiki account does not itself state three legs, suggesting a subsequent conflation with continental sun-crow motifs.
Characteristically depicted with three legs (tripedal). In Chinese iconography the sun-crow is often shown as a bird set within a sun-disc and is frequently rendered in red or golden hues (Jinwu, 'golden crow') rather than the black of ordinary corvids; archaeological attestations include Yangshao and Longshan pottery motifs and Han-period (Mawangdui) paintings and imperial ornamentation. In Japanese tradition Yatagarasu is represented as a large raven or crow; many modern and later-period depictions show three legs, but primary Kojiki narration lacks explicit tripedal anatomy, and the three-legged image may be a later interpretive layer.
Functions vary by cultural context. In Chinese myth the sanzuwu is a solar agent: a rostered sun-bird that traverses the heavens, associated with Xihe, and involved in cosmological narratives (ten suns, the Hou Yi episode). Some textual traditions link the sun-crows with mythic plants (the two grasses Diri and Chunsheng) in Shanhaijing-derived material and portray them as capable of producing world-scale heat when multiple suns appear. The bird also appears as a divine attendant or messenger in certain accounts (e.g., serving Xi Wangmu). In Japanese Shinto the Yatagarasu acts as a heavenly guide and signifier of divine will, sent to guide or endorse human leaders' journeys (for example, guiding Emperor Jimmu).

Three-legged crow
A recurrent East Asian mythic bird motif: in Chinese sources a tripedal sun-bird (sanzuwu / Jinwu / Yangwu) embedded in cosmology and imperial symbolism; in Japanese Shinto the Yatagarasu functions as a divine guiding crow. The motif appears across archaeological and literary contexts and carries solar and guiding associations rather than being consistently hostile.

Three-legged crow
A recurrent East Asian mythic bird motif: in Chinese sources a tripedal sun-bird (sanzuwu / Jinwu / Yangwu) embedded in cosmology and imperial symbolism; in Japanese Shinto the Yatagarasu functions as a divine guiding crow. The motif appears across archaeological and literary contexts and carries solar and guiding associations rather than being consistently hostile.

Three-legged crow
A recurrent East Asian mythic bird motif: in Chinese sources a tripedal sun-bird (sanzuwu / Jinwu / Yangwu) embedded in cosmology and imperial symbolism; in Japanese Shinto the Yatagarasu functions as a divine guiding crow. The motif appears across archaeological and literary contexts and carries solar and guiding associations rather than being consistently hostile.

Three-legged crow
A recurrent East Asian mythic bird motif: in Chinese sources a tripedal sun-bird (sanzuwu / Jinwu / Yangwu) embedded in cosmology and imperial symbolism; in Japanese Shinto the Yatagarasu functions as a divine guiding crow. The motif appears across archaeological and literary contexts and carries solar and guiding associations rather than being consistently hostile.

Three-legged crow
A recurrent East Asian mythic bird motif: in Chinese sources a tripedal sun-bird (sanzuwu / Jinwu / Yangwu) embedded in cosmology and imperial symbolism; in Japanese Shinto the Yatagarasu functions as a divine guiding crow. The motif appears across archaeological and literary contexts and carries solar and guiding associations rather than being consistently hostile.

Three-legged crow
A recurrent East Asian mythic bird motif: in Chinese sources a tripedal sun-bird (sanzuwu / Jinwu / Yangwu) embedded in cosmology and imperial symbolism; in Japanese Shinto the Yatagarasu functions as a divine guiding crow. The motif appears across archaeological and literary contexts and carries solar and guiding associations rather than being consistently hostile.

Three-legged crow
A recurrent East Asian mythic bird motif: in Chinese sources a tripedal sun-bird (sanzuwu / Jinwu / Yangwu) embedded in cosmology and imperial symbolism; in Japanese Shinto the Yatagarasu functions as a divine guiding crow. The motif appears across archaeological and literary contexts and carries solar and guiding associations rather than being consistently hostile.

Three-legged crow
A recurrent East Asian mythic bird motif: in Chinese sources a tripedal sun-bird (sanzuwu / Jinwu / Yangwu) embedded in cosmology and imperial symbolism; in Japanese Shinto the Yatagarasu functions as a divine guiding crow. The motif appears across archaeological and literary contexts and carries solar and guiding associations rather than being consistently hostile.
5 Ronin
5 Ronin is a 2011 Marvel Comics five-issue limited series that reimagines five Marvel superhero archetypes as rōnin (masterless samurai) in a fictionalized post‑Sekigahara feudal Japan. The work places Wolverine, Hulk, Punisher, Psylocke, and Deadpool analogues into period roles to explore displacement, revenge, and identity in an era of political upheaval.
Abumi-guchi
A Japanese yōkai classed as a tsukumogami: an animated stirrup (abumi) depicted in Sekien Toriyama's Gazu Hyakki Tsurezure Bukuro. Traditional accounts say it is formed from a stirrup that belonged to a soldier who fell in battle and that it waits where the stirrup lies for its dead owner to return.
Abura-akago
An Edo-period yōkai depicted as an oil‑licking infant or a ball of flame. First recorded in illustrated compendia (notably Toriyama Sekien's Konjaku Gazu Zoku Hyakki), the Abura-akago is tied to tales of oil‑stealing fires and functions in part as an etiological warning about wasting or stealing oil.
Abura-sumashi
A yōkai spirit from the Amakusa region of Kumamoto Prefecture, Japan, said to inhabit mountain passes. Traditionally explained as the ghost of a person who stole oil, it appears to surprise travelers and is represented in modern media with a straw-coat body and a potato- or stone-like head.
Aburabō / Abura-bōzu / Aosaginohi (traditions)
Two distinct Japanese traditions appear under related flame imagery: Aosaginohi/Aosagibi is presented as a will-o'-the-wisp type luminous night phenomenon interpreted as reflections from herons; aburabōzu (abura bōzu, "oil monk") appears in a separate anecdote as a reported fire-breathing apparition in a 12th-century Yasaka Shrine tale. The sources treat them as separate portrayals rather than a single unified being.
Acala
Acala (Sanskrit: अचल, 'The Immovable') is a wrathful protective deity (dharmapala) in Vajrayāna and East Asian esoteric Buddhism, classed among the Wisdom Kings (Vidyārāja). He functions as a ritual focus for visualization and mantra practice intended to remove obstacles and bind or destroy hostile forces.
Agaru
Agaru (attested historically as Agarum) appears in the supplied sources as a Bronze Age Near Eastern toponym—often identified with Failaka Island—and as a modern personal or media name. The provided material contains no evidence that Agaru is a supernatural being in any traditional cosmology.
Ajisukitakahikone
Ajisukitakahikone is a kami in Japanese mythic literature (Kojiki/Nihon Shoki). He appears in the transfer-of-rule cycle between heaven and earth, is described as a son of Ōkuninushi, associated with the Kamo cult (called Kamo no ōmikami in some modern museum/catalog entries), and features in narratives that explain landscape formation and meteorological genealogy.
Aka Manto
Aka Manto (赤マント, "Red Cloak") is a Japanese urban legend and schoolyard ghost-story about a masked, cloaked figure who appears in public or school toilet stalls and forces occupants to choose between colored toilet paper; each choice in the tale produces a violent supernatural consequence. The legend is part of modern popular folklore recorded in school contexts from the 1930s onward rather than a formal religious myth.
Akaname
Akaname is a Japanese yōkai associated with baths, bathtubs, toilets, and other places where scum and filth accumulate. Traditionally depicted as a child-like creature that licks grime, it functions in folklore as a cautionary figure tied to cleanliness; a few narrative variants cast it as dangerously predatory.
Akashaguma
Akashaguma is presented in the available sources as a child-like house guardian spirit in the Japanese yokai tradition, closely comparable to the regional zashiki-warashi. It is associated with domestic interiors (parlors or storage rooms) and with bringing prosperity to households where it dwells.
Akashita
Akashita (赤舌, lit. “red tongue”) is an Edo-period pictorial yōkai commonly represented as a hairy, clawed face emerging from dark clouds with a wide open mouth and a conspicuous red tongue. The figure appears in yōkai emaki and Toriyama Sekien’s Gazu Hyakki Yagyō; Sekien’s plate shows it atop a sluice, but the original pictorial tradition provides no explanatory caption. Later folklorists and popular writers (Shōwa and later) have variously interpreted the image as a punitive spirit linked to irrigation/floodgate justice or as a kidnapper in evening skies, though these narrative roles are post-hoc.
Community Record
- [1]Three-legged crow. Wikipedia, 'Three-legged crow' (summary of East Asian motifs and sun-crow traditions)wiki
- [2]Yatagarasu. Wikipedia, 'Yatagarasu' (Shinto guiding crow; notes on Kojiki and later three-leg interpretation)wiki
- [3]Yatagarasu: The Three-legged Crow That Guided Emperor Jimmu on his Journey. Kokugakuin University article on Yatagarasu (guiding role in Emperor Jimmu narrative; shrine associations)other
- [4]Yatagarasu (the three-legged crow) - Green Shinto. Green Shinto summary of Yatagarasu as divine guide and modern emblematic usefolk
- [5]Commentary: Something to Crow About: Why Is the Japanese Football Team Logo a Three-Legged Crow?. Critical Asian Studies commentary (discussion of Yatagarasu imagery and interpretive history, noting possible later conflation with Chinese Yangwu)other