Within the ethnographic summary available, the Alan occupy a parallel non‑human social role in Tinguian cosmology: they are unseen persons who appropriate certain human reproductive materials and transform those materials into offspring they raise outside ordinary human families. While the provided source does not record a creation myth for the Alan or an origin legend, it situates them as part of a cultural imagination that locates liminal reproductive substances (menstrual blood, afterbirth, miscarried tissue) as matters that can be taken up by otherworldly beings. Their placement near springs and their elaborate dwellings suggest a contrast between alluring otherworld wealth and social separation from human settlements as understood in the Tinguian material cited (Source: Wikipedia: Alan (legendary creature)).
The available ethnographic summary describes the Alan as winged spirits capable of flight and notes that their fingers and toes point backwards. The source characterizes them as "deformed spirits" (direct quote from the summary) but provides no further details on size, coloration, clothing, or how closely their faces or bodies resemble humans. Their dwellings are described as "extremely fine houses, made of gold and other valuables," indicating a visible material splendour to their habitations (Source: Wikipedia: Alan (legendary creature)).
The Alan are reported to take drops of menstrual blood, miscarried fetuses, afterbirth, or other reproductive waste and to transform those materials into human children, whom they then raise as their own. They are described as having wings and the ability to fly, which implies mobility between springs (their named habitat) and possibly other locations. Beyond these transformative and locomotive behaviors, the cited summary gives no explicit claims about magical combat, curse‑casting, possession, or routine harm or benefit to humans; their role is framed primarily as appropriators and rearers of persons created from reproductive waste (Source: Wikipedia: Alan (legendary creature)).
Aguingay
Aguingay (also Agingay) is a legendary woman from the Bulusan epic of Sorsogon, Philippines. Presented as a mortal of exceptional beauty and tragic fate, her life and death are etiologically linked to local landscape features (Mt. Bulusan and two lakes) and commemorated in an annual festival.
Amalanhig
Amalanhig are Visayan undead beings in Philippine folk belief, described as aswang who failed to transfer their monstrosity or power before death and who rise from graves to attack living humans. Accounts portray them as externally human in appearance with enlarged upper canines and as predators that bite, feed with a pointed tongue in some tellings, or — in an alternative variant — tickle victims to death.
Angalo
Angalo is a primordial culture-hero and giant in Ilocano mythology credited with shaping the landscape of Luzon and explaining natural phenomena; narratives present him as the first man and an ancestral figure whose bodily acts produced mountains, valleys, seas, and celestial features.
Anggitay
A Philippine folkloric female equid–human hybrid often described with the upper body of a woman and the lower body of a horse. Frequently compared to the Greek centauride and sometimes presented as a female counterpart to the tikbalang; traditionally associated with an attraction to gemstones and jewelry and with a local homeland in Santo Tomas, Batangas in some accounts.
Anito
Anito is a category of non‑human and post‑human spiritual beings in indigenous Philippine animistic worldviews, encompassing ancestor spirits, nature spirits/local deities, and sometimes carved effigies (taotao) that house or represent those spirits. They mediate relations between the living and the unseen world, functioning as household guardians, owners of places, intercessors, or occasional agents of harm when offended.
Aswang
The most feared supernatural being in Philippine folklore — a shape-shifting monster that appears human by day but transforms at night to prey on pregnant women and children.
Bakla
Bakla is a Philippine social and gender category—commonly an assigned‑male‑at‑birth person who adopts a feminine gender expression and is often treated as a third gender. Historically some bakla served as indigenous ritual specialists (babaylan, katalonan), but the term itself denotes a social identity, not a supernatural being.
Bakunawa
A dragon- or serpent-like mythic being from Philippine tradition associated with the moon and eclipses; its actions explain lunar eclipses and some natural phenomena and were integrated into ritual practice and calendrical knowledge.
Bal-Bal
A Philippine folkloric undead/monster that steals corpses from funerals and graves and feeds on them, noted for keen scent for dead bodies, sharp claws and teeth, foul breath, and reportedly leaving a banana‑tree trunk in the coffin as a substitute for the stolen corpse.
Bathalà
In pre‑colonial Tagalog religion Bathalà (also Maykapál) functions as the transcendent supreme creator-preserver — the originator and ruler of the universe. The lexeme also served as an honorific applied to lesser tutelary spirits and portentous phenomena, and was later syncretized with the Christian Dios after Spanish contact.
Batibat
The Batibat is a vengeful, tree-dwelling female spirit in Philippine (Ilocano and Tagalog) folklore associated with causing suffocative sleep afflictions, nightmares, and sleep paralysis when trees that house it are felled and used near human sleeping spaces.
Berbalang
Berbalangs are a class of corpse‑eating, astral‑projecting beings described in a late‑19th‑century ethnographic account from the island of Cagayan Sulu (Mapun). The report portrays them as a village community whose members are said to dig up graves to eat corpses and, by entering trance, liberate an astral body to possess and feed on the living; protective measures recorded include lime and a coconut pearl talisman.
Community Record
- [1]Alan (legendary creature) — Wikipedia summary. Wikipedia: Alan (legendary creature) — ethnographic summary citing Fay-Cooper Cole's Traditions of the Tinguian (as presented in the Wikipedia entry)wiki
