In the earliest literary attestations (the First Branch of the Mabinogi) Arawn appears as the named king of Annwn, the Welsh Otherworld. The surviving narrative depicts him as an Otherworld sovereign who enters into a negotiated exchange with the human lord Pwyll: to avenge a wrong and settle a feud Arawn requests that Pwyll take his place for a year and a day and defeat his rival Hafgan. Later medieval and folkloric developments sometimes transfer the rulership of Annwn to other figures (notably Gwyn ap Nudd) and Christianized accounts reinterpret aspects of Annwn, but Arawn’s role as Annwn’s king is preserved in the Mabinogi material cited in the sources.
The supplied sources do not give a sustained physical description of Arawn himself. Narrative detail instead emphasizes animals and items associated with his court: in the Pwyll episode Pwyll discovers white hounds with red ears feeding on a stag, and later material associates Annwn with supernatural hounds (Cŵn Annwn), a lapwing, and a white roebuck in various retellings. Arawn’s bodily appearance is not described in the provided summaries.
The primary depiction in the First Branch shows Arawn exercising sovereign agency over Annwn and negotiating a structured exchange with a human (the year-and-a-day swap with Pwyll), implying authoritative control over the terms of that interchange. He is party to a military rivalry (with Hafgan) which he cannot settle without Pwyll’s aid, and he transfers or bestows otherworldly animals and gifts (for example, the pigs given to Pryderi) that entail enduring obligations. Later folklore links his realm with the Cŵn Annwn—supernatural hounds that in Christianized accounts were said to hunt wandering or damned souls—but the sources note Arawn himself is not always invoked in those later hound traditions.
Abandinus
Abandinus is a locally attested Romano‑Celtic theonym known from a single inscribed bronze feather (votive object) dedicated at Godmanchester (the Roman fort Durovigutum) in Cambridgeshire. Scholars interpret him as a local god or male spirit tied to a specific place and possibly associated with a nearby spring or stream; this association is tentative and based on etymological readings of the name.
Abarta (Ábartach)
Abarta (also Ábartach) is a figure of Irish myth who, in surviving accounts, tricks Fionn mac Cumhaill's warriors by giving them a supernatural grey horse that bears them into the Otherworld. Sources variably identify him as a member of the Tuatha Dé Danann or as a Fomorian; after the incident he is compelled to release the captured warriors and is refused entry to the Fianna.
Abcán (Abhcán)
Abcán (modern spelling Abhcán) is a named dwarf poet and musician of the Tuatha Dé Danann in Irish myth. He appears in a small number of narratives as a musician whose art has soporific power and as the ferryman who brings the goddess Ruad from the Otherworld to the human world.
Abhean
Abhean is a named poet of the Tuatha Dé Danann in medieval Irish literature, described as a poet in particular of Lugh and recorded as having been killed by Óengus before Midir in a poem by Fland Mainistreach preserved in the Lebor Gabála Érenn.
Abnoba
Abnoba is a Gaulish theonym and toponym attested in Roman-era sources and inscriptions: a localized deity associated with woods, springs and the sources of rivers (notably the Danube) and simultaneously the name applied to a mountain or mountain range in the Black Forest/Baar/Odenwald region. Roman altars equate her with Diana, reflecting syncretic cult practice in frontier provinces.
Accolon
Accolon is a mortal knight of the Arthurian court, presented in the Post-Vulgate Merlin tradition and Malory's Le Morte d'Arthur as Morgan le Fay's paramour and instrument in a plot to supplant King Arthur; his tale centers on enchanted weapons (Excalibur and its scabbard), love-manipulation, and a tragic duel with Arthur.
Achall
Achall is an eponymous mortal woman in the Ulster Cycle of early Irish literature whose grief-induced death is given as the origin of the hill-name Achall (identified with the modern Hill of Skryne). She appears as a genealogical and etiological figure tied to Tara and later legendary events at the hill, rather than as a recurring supernatural agent.
Achtland
Achtland is a figure from Irish tradition who, according to the surviving account, was a mortal woman famed for rejecting mortal suitors who married a member of the Tuatha Dé Danann and crossed into the síde to become immortal as his wife.
Adar Llwch Gwin
Legendary large, intelligent birds from Welsh tradition said to understand human speech and obey their master's commands; best known for tearing their master Drudwas ap Tryffin to pieces when bound by a literal order in an Arthurian battle narrative. The term later came to be applied to raptors and metaphorically to brave men in medieval Welsh poetry.
Adar Rhiannon
Adar Rhiannon ('birds of Rhiannon') are a set of three magical birds in medieval Welsh narrative (the Mabinogi) whose song can 'wake the dead and lull the living to sleep.' They appear as otherworldly song‑beings tied to the figure Rhiannon and function within tales as providers of enchanted music that sustains and consoles characters.
Aderyn y Corff
Aderyn y Corff (literally 'bird of the corpse') is a bird-like death-porter in Welsh folklore said to call outside the door of a person about to die. Described as an avian portent that may lack feathers or wings and as existing on another plane when not manifesting, it is treated in Welsh ghost lore and sometimes naturalized as a screech owl in modern accounts.
Adhene
A class of Manx fairies (Cloan ny moyrn) described in Isle of Man tradition as a social people of beings said to be "fallen angels cast from heaven but too good for hell," who interact with human livelihoods and families, sometimes benevolent but often mischievous.
Community Record
- [1]Arawn. Wikipedia entry 'Arawn'wiki
- [2]Arawn (Wikidata). Wikidata item for Arawnother
- [3]The Black Cauldron (archive entry referencing Arawn). Archive entry referencing literary influence of Arawnother