Bonus Eventus is not presented in surviving sources with a narrative origin; literary and inscriptional evidence places the figure among Roman agricultural divinities (Varro lists him with eleven others as presiding over aspects of farming) and shows later expansion into civic and private religious practice. Cultic infrastructure attested in sources includes a Porticus Boni Eventūs in the Campus Martius (mentioned by Ammianus Marcellinus) and multiple provincial dedications (for example in Sirmium and in Roman Britain), indicating a development from localized agrarian function to wider public and personal invocation.
On coins, engraved gems, and intaglios Bonus Eventus is typically depicted as a youthful male figure, often nude or partially draped (chlamys or himation), commonly shown holding a libation bowl or dish and sometimes bearing fruit, a branch, poppies, or stalks of grain. Iconographic variation exists: some representations derive from repurposed Greek sculptures and different gems show alternative attributes (dish of fruit and branch, for example). There is no single canonical rigid pose, though many imperial-era objects present the youth with one leg bent and the head turned toward an outstretched libation bowl.
Sources do not ascribe mythic deeds or an independent narrative agency to Bonus Eventus. Rather, he functions as the personified principle whose invocation, image, and dedication are intended to secure favorable outcomes—originally agricultural increase (fruits and herds) and later more general success, civic wellbeing, or imperial prosperity. His efficacy in the sources is social and cultic: municipal officers made dedications for council wellbeing, coinage invoked his image in times of political stress, and engraved gems and rings carrying his portrait were used privately as protective or tutelary devices.
Weaknesses
- otherNo mythic vulnerabilities — functions symbolically and through cultic invocation
Wards
- ritualDedication and image-use for securing favor
Abandinus
Abandinus is a locally attested Romano‑Celtic theonym known from a single inscribed bronze feather (votive object) dedicated at Godmanchester (the Roman fort Durovigutum) in Cambridgeshire. Scholars interpret him as a local god or male spirit tied to a specific place and possibly associated with a nearby spring or stream; this association is tentative and based on etymological readings of the name.
Abarbarea
Abarbarea is a name attested in classical Greek and Roman sources for freshwater nymphs (naiads). The name appears for at least two individual mythic figures — a naiad wife of Bucolion and a naiad counted among ancestors of the Tyrians — and Hesychius records plural forms that may indicate the name was also used as a class-name (Abarbareai / Abarbalaiai).
Abas
Abas (Ancient Greek: Ἄβας, gen.: Ἄβαντος) is not a single mythic being but a recurring personal name borne by multiple mortals and minor mythic figures in Greek epic and genealogical traditions — kings, founders, seers, warriors, attendants, a centaur, and a youth transformed by a goddess. The name is glossed in the sources as 'guileless' or 'good-hearted' and appears across Argive, Theban, Trojan, Euboean, and other local cycles.
Abellio
Abellio is a theonym attested in Roman‑period inscriptions from the Comminges area of the Pyrenees and reported as worshipped in the Garonne Valley of ancient Gallia Aquitania. Surviving evidence is limited to a small number of inscriptions; scholars have variously hypothesized solar or arboreal associations and compared the name to forms of Apollo or to Celtic Belenus, but the deity's precise role in local cosmology remains uncertain.
Abnoba
Abnoba is a Gaulish theonym and toponym attested in Roman-era sources and inscriptions: a localized deity associated with woods, springs and the sources of rivers (notably the Danube) and simultaneously the name applied to a mountain or mountain range in the Black Forest/Baar/Odenwald region. Roman altars equate her with Diana, reflecting syncretic cult practice in frontier provinces.
Aborigines (mythology)
A mytho-historical label used in Roman and general reference sources to denote the oldest inhabitants of a region (specifically central Italy in the cited Roman context). The term functions as an identity/category for original human populations rather than as a characterized supernatural being in the provided sources.
Abundantia
Abundantia is the Roman divine personification of abundance and material plenty, used primarily in imperial propaganda and public iconography to signify secure grain supplies, wealth, and the promise of a 'Golden Age' under the emperor. She also appears in later medieval European folklore as Domina Abundia / Dame Habonde, a household benefactor in accounts condemned by ecclesiastical writers.
Acamas
Acamas (Ancient Greek: Ἀκάμας) is a personal name recurrent in ancient Greek narrative traditions applied to multiple human characters (warriors, princes, suitors), once to a Cyclops, and once as a hound's name. Rather than a single supernatural entity, bearers of the name appear episodically across the Trojan War, Theseid, and Theban cycles as mortal actors whose deeds intersect with gods and fate.
Acantha
Acantha (Ancient Greek: Ἀκάνθα, 'thorn') is a late or secondary mythological figure known from modern retellings as a nymph transformed into the acanthus plant. The tale that she scratched Apollo and was changed into a spiny-leaved plant is not attested in surviving classical corpora and appears to be a modern compilation or invention rather than a firmly documented ancient myth.
Acerbas
Acerbas (also recorded as Sychaeus, Sycharbas, Zacherbas) is a figure in classical Greco‑Roman accounts of Phoenician/Tyrian tradition: a wealthy priest of Melqart (the Tyrian Hercules) whose concealed riches and murder by King Pygmalion precipitate Elissa/Dido's flight from Tyre and the foundation of Carthage. He is presented as a human priestly figure of high social rank rather than as a supernatural being.
Acestes
Acestes is a Roman/Greek founder-hero associated with the Sicilian city Segesta (Aegesta/Acesta). Presented as son of a Trojan woman and, in one tradition, the Sicilian river-god Crinisus (in animal form), he hospitably receives Aeneas and the Trojans, participates in the funeral games in Virgil's Aeneid (Book V), and functions as an eponymous culture-founder and local ruler.
Achaemenides
Achaemenides is a literary mortal figure introduced into Virgil's Aeneid as a marooned member of Odysseus' crew whom Aeneas rescues on Sicily. In Roman epic he functions as a chance survivor and eyewitness who helps link the Homeric tradition to the Trojan refugees and to illustrate Aeneas' magnanimity.
Community Record
- [1]Bonus Eventus - Wikipedia. Wikipedia entry 'Bonus Eventus' (cult, iconography, dedications, general summary).wiki
- [2]Intaglio with the God Bonus Eventus Set in a Ring (Walters Art Museum). Walters Museum object description for an intaglio depicting Bonus Eventus.other
- [3]Bonus Eventus - Biblical Cyclopedia. Biblical Cyclopedia entry on Bonus Eventus (notes agricultural increase and temple attestation).other
- [4]RIB 318. Dedication to Fortune and Bonus Eventus. Roman Inscriptions of Britain (RIB 318) — dedication jointly to Fortuna and Bonus Eventus.academic
- [5]RIB 642. Dedication to Bonus Eventus and Fortuna. Roman Inscriptions of Britain (RIB 642) — dedication to Bonus Eventus and Fortuna.academic
- [6]L Scribonius Libo Denarius (coin with BON EVENT). Coin catalog entry showing early use of the BON EVENT legend and related imagery on denarii.other
- [7]Plasma ring stone / Kerbodyne Plus archive captions. Archive captions and object notes describing ring stones and engraved gems showing Bonus Eventus with dish/fruit and branch.other
- [8]Kerbodyne Plus - assorted archive notes. Archive material referencing antique iconography and scholarly notes (used for comparative iconography).other
- [9]Ammianus Marcellinus references to Porticus Boni Eventus (secondary citation in notes). Late antique mention of a Porticus Boni Eventūs in the Campus Martius attributed to Ammianus Marcellinus as cited in the research notes.literary
