In the sources supplied, Eurydice appears as a member of the Theban royal household by virtue of her marriage to Creon, king of Thebes. Modern reference works (summary entries) identify her explicitly as Creon's wife and thus place her within the network of relationships and narrative events that comprise the Theban cycle of myth and drama (the generation contemporaneous with Oedipus, Antigone, Haemon, and other Theban figures). The archive materials supplied situate her in the same mythic milieu—appearing in cast lists for Sophocles' Antigone and in background retellings of Theban royal interactions—though the provided excerpts do not include extended primary-text narrative about her life.
The provided materials do not supply a physical description of Eurydice. She is identified in the sources solely by her social and familial role (wife of Creon, queen of Thebes) and by her presence in dramatic productions; no details of dress, age, stature, or other visual characteristics are recorded in the cited excerpts.
The sources present Eurydice as an ordinary human actor within myth and drama rather than as a supernatural agent. Her 'abilities' consist of the social and relational roles expected of a queen and member of a royal household—participation in family and civic affairs, emotional response within tragic contexts, and presence as a dramatic character in productions of Sophocles' Antigone (as attested by cast listings). No supernatural powers, special skills, or extraordinary behaviors are described in the provided materials.
Weaknesses
- conditionmortality
- otherlimited agency within familial and civic structures
- othervulnerability to grief and tragic consequences as a human participant in Theban narratives
Wards
None recorded.
*Péh₂usōn (reconstructed)
Péh₂usōn is a hypothetical Proto‑Indo‑European pastoral guardian reconstructed by comparative scholars from parallels in Greek and Vedic traditions. Proposed as a Graeco‑Aryan ancestor‑figure, the reconstruction describes a protector of flocks, roads, and travellers rather than an attested historical cultic personality.
Aba (disambiguation / name-form)
Aba is a polyvalent name-form attested across many unrelated contexts (place names, personal names, animal names, and brief mythological listings). The provided sources do not support a single, coherent supernatural entity called "Aba" and offer no descriptive or ritual material for such a being.
Abandinus
Abandinus is a locally attested Romano‑Celtic theonym known from a single inscribed bronze feather (votive object) dedicated at Godmanchester (the Roman fort Durovigutum) in Cambridgeshire. Scholars interpret him as a local god or male spirit tied to a specific place and possibly associated with a nearby spring or stream; this association is tentative and based on etymological readings of the name.
Abarbarea
Abarbarea is a name attested in classical Greek and Roman sources for freshwater nymphs (naiads). The name appears for at least two individual mythic figures — a naiad wife of Bucolion and a naiad counted among ancestors of the Tyrians — and Hesychius records plural forms that may indicate the name was also used as a class-name (Abarbareai / Abarbalaiai).
Abas
Abas (Ancient Greek: Ἄβας, gen.: Ἄβαντος) is not a single mythic being but a recurring personal name borne by multiple mortals and minor mythic figures in Greek epic and genealogical traditions — kings, founders, seers, warriors, attendants, a centaur, and a youth transformed by a goddess. The name is glossed in the sources as 'guileless' or 'good-hearted' and appears across Argive, Theban, Trojan, Euboean, and other local cycles.
Abderus
Abderus (Ancient Greek: Ἄβδηρος, romanized Ábdēros) is a mortal heroic figure in Greek myth closely associated with Heracles, remembered as the youth left in charge of the Mares of Diomedes who was killed by them. He functions as an eponymous local/divine-hero ancestor for the city of Abdera and received funerary commemoration and athletic agones at his tomb.
Abellio
Abellio is a theonym attested in Roman‑period inscriptions from the Comminges area of the Pyrenees and reported as worshipped in the Garonne Valley of ancient Gallia Aquitania. Surviving evidence is limited to a small number of inscriptions; scholars have variously hypothesized solar or arboreal associations and compared the name to forms of Apollo or to Celtic Belenus, but the deity's precise role in local cosmology remains uncertain.
Abnoba
Abnoba is a Gaulish theonym and toponym attested in Roman-era sources and inscriptions: a localized deity associated with woods, springs and the sources of rivers (notably the Danube) and simultaneously the name applied to a mountain or mountain range in the Black Forest/Baar/Odenwald region. Roman altars equate her with Diana, reflecting syncretic cult practice in frontier provinces.
Abomination of Desolation
An apocalyptic prophetic phrase originating in the Book of Daniel designating a profaning thing or act that renders the Jerusalem Temple cult desolate; later reused in the Synoptic Gospels as an eschatological sign prompting urgent flight. The term denotes ritual/cultic impurity (Hebrew shiqquts) and is variously interpreted as pagan offerings or altar, a foreign cult statue, or (in some New Testament readings) an acting agent.
Aborigines (mythology)
A mytho-historical label used in Roman and general reference sources to denote the oldest inhabitants of a region (specifically central Italy in the cited Roman context). The term functions as an identity/category for original human populations rather than as a characterized supernatural being in the provided sources.
Absyrtus
Absyrtus (Ancient Greek: Ἄψυρτος) is a Colchian prince in the Greek Argonautic cycle, son of King Aeëtes and brother or half-brother of Medea. He appears in variant traditions either as a companion taken by Medea during her flight with Jason and murdered/dismembered to delay pursuit, or as a pursuer sent by Aeëtes who is overtaken and slain by Jason; his death functions as a key narrative device in the escape from Colchis.
Abundantia
Abundantia is the Roman divine personification of abundance and material plenty, used primarily in imperial propaganda and public iconography to signify secure grain supplies, wealth, and the promise of a 'Golden Age' under the emperor. She also appears in later medieval European folklore as Domina Abundia / Dame Habonde, a household benefactor in accounts condemned by ecclesiastical writers.
Community Record
- [1]Eurydice (wife of Creon) — Wikipedia. Wikipedia, entry 'Eurydice (wife of Creon)'wiki
- [2]Wikidata: Eurydice of Thebes. Wikidata item Q1378457other
- [3]Antigone (LibriVox recording) — cast listing. LibriVox recording metadata for Sophocles' Antigone (cast list includes 'Eurydice: Lucy Perry')literary
- [4]LP0002 The Birth of Heracles (archive item referencing Theban figures). Archive item 'The Birth of Heracles' — contextual background on Theban royal figures including Creonother
- [5]Collected poems (archive item mentioning Theban material). Archive collection referencing Theban materialsother